9. Works Cited

Appadurai, Arjun
1996. Modernity at Large : Cultural Dimensions of Globalization (Minneapolis : University of Minnesota Press).
1990. "Disjuncture and Difference in the Global Economy". Public Culture 2 (2) 1-24.
Bauman, Richard
1986. Story, Performance, and Event: Contextual Studies of Oral Narrative (New York: Cambridge University Press).
Barthes, Roland
1980. La Chambre Clair: Note sur la Photographie (Cahiers du Cinéma. Gallimard Seuil).
Boddy, Janice Patricia
1989. Wombs and Alien Spirits : Women, Men, and the Zar Cult in Northern Sudan (Madison, Wis.: University of Wisconsin Press).
Browning, Barbara
1998. Infectious Rhythm : Metaphors of Contagion and the Spread of African Culture (New York: Routledge Press).
1995. Samba:Resistance in Motion (Bloomington : Indiana University Press).
Casey, Edward S.
1987. Remembering: A Phenomenological Study (Bloomington: Indiana University Press).
Chlyeh, Abdelhafid, ed.
1999. L’Univers des Gnaouas (Paris and Casablanca: Editions Le Fennec/ La Pensée Sauvage).
Classen, Constance
1993. Worlds of Sense: Exploring the Senses in History and Across Cultures (New York: Routledge).
Combs-Schilling, M. E.
1989. Sacred Performances : Islam, Sexuality, and Sacrifice (New York: Columbia University Press).
Cornell, Vincent
1998. Realm of the Saint : Power and Authority in Moroccan Sufism (Austin: University of Texas Press
Crapanzano, Vincent
1992. Hermes Dilemma and Hamlet’s Desire: On the Epistemology of Interpretation (Cambridge, MA: Harvard University Press).
1980. Tuhami: Portrait of a Moroccan (Chicago: University of Chicago Press).
1973. The Hamadsha; A Study in Moroccan Ethnopsychiatry (Berkeley: University of California Press).
Csordas, Thomas J.
1993. "Somatic Modes of Attention". Cultural Anthropology 8 (2): 135-156.
Dermenghem, Emile
1954. Le Culte des Saints dans l'Islam Maghrebin (Paris : Gallimard).
Derrida, Jacques
1985. "Des Tours de Babel". In Graham, Joseph, ed., in Difference in Translation (Ithaca: Cornell University Press, 1985).
Dwyer, Kevin
1982. Moroccan Dialogues : Anthropology in Question (Baltimore: Johns Hopkins University Press).
Eickelman, Dale F.
1976. Moroccan Islam: Tradition and Society in a Pilgrimage Center (Austin: University of Texas Press).
Erlmann, Veit
1996. Nightsong: Performance, Power and Practice in South Africa (Chicago: University of Chicago Press).
1996a. "The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s". Public Culture 8 (Spring): 467-87.
1993. "The Politics and Aesthetics of Transnational Musics." The World of Music 35 (2): 3-15.
Feld, Steven
1995. "From Schizophonia to Schismogenesis". In Feld, S and C. Keil, Music Grooves (Chicago: University of Chicago Press).
1996. "Waterfalls of Song: An Acoustemology of Place Resounding in Bosavi, Papua New Guinea". In Feld, Steven and Keith H. Basson, eds., Senses of Place. (Sante Fe: School of American Research Press): pp. 91-136.
1982. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression (Philadelphia: University of Pennsylvania Press).
Fuson, Tim Abdellah
2001. "’Where are you, Children of the Sudan?’: The Recollection of Slavery in the lila Ritual of the Gnawa of Morocco". Paper presented at the conference "Slavery and Religion in the Modern Era", Essaouira, Morocco, June 15, 2001.
Gates, Henry Louis Jr.
1988. The Signifying Monkey: A Theory of African-American Criticism (New York: Oxford University Press).
Geertz, Clifford
1978. Meaning and Order in Moroccan society : Three Essays in Cultural Analysis (Cambridge: University of Cambridge Press).
Gilroy, Paul
1994. The Black Atlantic: Modernity and Double Consciousness (Cambridge, MA: Harvard University Press).
Hall, Stuart
1997. "Representation & the Media. Media. Education Foundation"; introduced by Sut Jhally ; produced & directed by Sut Jhally. (Northampton, MA : Media Education Foundation).
Hall, Stuart, ed
1980. Culture, Media, Language: Working Papers in Cultural Studies
(Birmingham, West Midlands: Centre for Contemporary Cultural Studies- University of Birmingham).
Hammoudi, Abdellah
1997. Master and Disciple: The Cultural Foundations of Moroccan Authoritarianism (Chicago: University of Chicago Press).
1993.The Victim and its Masks : An Essay on Sacrifice and Masquerade in the Maghreb (Chicago: University of Chicago Press).
Heath, Jeffrey
1987. Ablaut and Ambiguity: Phonology of Moroccan Arabic Dialect (Albany: State University of New York Press).
Hell, Bertrand
1999. Possession et Chamanisme: Les Maitres des Désordre (Paris: Flammarion).
Howes, David, ed.
1991. The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses (Toronto: University of Toronto Press).
Kapchan, Deborah
1996. Gender on the Market: Moroccan Women and the Revoincing of Tradition. (Philadelphia: University of Pennsylvania Press).
Keil, Charles
1995. The Theory of Participatory Discrepancies: A Progress Report. Ethnomusicology 39 (1): 1-19.
Kelly, Robin D.G.
1998. "Check the Technique: Black Urban Culture and the Predicament of Social Science." In Nicholas B. Dirks, ed., In Near Ruins (Minneapolis and London: University of Minnesota Press), 39-66.
2001. "Finding Jazz's Soul in Africa's Music: Randy Weston Archives a Synthesis of African and African-American, of Benin and Brooklyin". The New York Times, July 8 2001.
Kirshenblatt-Gimblett, Barbara
1998. Destination Culture: Tourism, Museums, and Heritage (Berkeley: University of California Press).
Lambek, Michael Joshua
1993. Knowledge and Practice in Mayotte : Local Discourses of Islam, Sorcery, and Spirit Possession. (Toronto: University of Toronto Press).
Lapassade, Georges
1997. Les Rites de Possession (Paris: Anthropos).
1990. La Transe (Paris: PUF).
Laroui, Abdullah
1982. L’Histoire du Maroc (Paris: Maspero).
Lipsitz, George
1994. Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place (London and New York: Verso).
Nora, Pierre
1989. "Between Memory and History: Lieux de Mémoire". Translated by Marc Roudebush. Representations 26: 12.
Ossman, Susan
2002. Three Faces of Beauty: Casablanca, Paris, Cairo (Durham and London: Duke University Press).
1994. Picturing Casablanca: Portraits of Power in a Modern City (Berkeley: University of California Press).
Pandolfo, Stefania
1997. Impasse of the Angels: Scenes from a Moroccan Space of Memory (Chicago: University of Chicago Press).
Marcus, George E. and Fred R. Myers, eds.
1995. The Traffic in Culture: Refiguring Art and Anthropology (Berkeley: University of California Press).
Messick, Brinkley Morris
1993. The Calligraphic State: Textual Domination and History in a Muslim Society (Berkeley : University of California Press).
Pacques, Viviana
1991. Les Esclaves de Dieu (Rome: Vitalli Press).
Rosander, Eva Evers
1991. Women in a Borderland: Managing Muslim Identity Where Morocco Meets Spain. (Stockholm: Stockholm Studies in Social Anthropology).
Rosen, Lawrence
1984. Bargaining for Reality : The Construction of Social Relations in a Muslim Community (Chicago: University of Chicago Press).
Schuyler, Philip D.
1981. "Music and Meaning among the Gnawa Religious Brotherhood of Morocco". The World of Music 23(1): 3-10.
Sherzer, Joel
1987. "A Discourse-Centered Approach to Language and Culture". American Anthropologist 89: 295-309..
Seremetakis, C. Nadia, ed.
1994. The Senses Still : Perception and Memory as Material Culture in Modernity (Boulder, Colorado: Westview Press).
Silverstein, Michael
1976. "Shifters, Linguistic Categories, and Cultural Description". In Keith Basso and Henry Selby, eds., Meaning in Anthropology (Albuquerque: University of New Mexico Press), pp. 11-55.
Slyomovics, Susan
1998. The Object of Memory: Arab and Jew Narrate the Palestinian Village (Philadelphia: University of Pennsylvania Press).
Taylor, Timothy D.
1997. Global Pop: World Music, World Markets (New York: Routledge).
Urban, Greg
1991. A Discourse-Centered Approach to Culture: Native South American Myths and Rituals (Austin: University of Texas Press).
West, Cornel
1993. Race Matters (Boston: Beacon Press).

Forward | M&A contents page