Alcalay,
Ammiel 1999 Israel and the Levant Arab Culture and Civilization: A collaborative
web project from NITLE. Available at http://www.nitle.org/arabworld/texts.php?module_id=6&reading_id=52.
Banai,
Sigalit
2004 “Sacred strains of tradition.” Haaretz. January 9. Tel Aviv.
Becker,
Howard Saul
1982 Art Worlds. Berkeley: University of California Press.
Brinner,
Benjamin
1995 Knowing Music, Making Music: Javanese Gamelan and the Theory
of Competence in Interaction. Chicago: University of Chicago Press.
in progress Musical Encounters in a Contested Land.
Dardashti,
Galeet
2001 “Muzika Mizrakhit and Muzika Etnit: Discourses of the Israeli Middle
Eastern Musical Aesthetic.” Text, Practice, Performance 3: 99-126.
Halevi,
Yossi Klein 1998 “The New Believers.” The Jerusalem Report, April 2:
14-16.
Halper,
Jeff, Edwin Seroussi, and Pamela Squires-Kidron
1989 “Musica Mizrahit: Ethnicity and class culture in Israel,”
Popular Music 8(2): 131-142.
Horowitz,
Amy
1997 “Performance in disputed territory: Israeli Mediterranean music.”
Musical Performance: An International Journal 1(3): 43-53.
2002 “Israeli Mediterranean Music.” In The Middle East, edited by
Virginia Danielson, Scott Marcus and Dwight Reynolds. New York, Routledge.
6: 261-268.
Hotem,
Ran
2000 “Shiluv menatseakh [A winning combination],” Kol Ha’ir, Dec. 29
(in Hebrew).
Lahav,
Shai
2001 “Tarbut (culture)” Ma’ariv, Feb. 23. (in Hebrew)
Lev-Ari,
S.
2004 “The Last Arabic Jew.” Haaretz, January 7.
Miller,
Toby
1993 The Well tempered Self: Citizenship, Culture, and the Postmodern
Subject. Johns Hopkins University Press.
Perelson,
Inbal
1998 “Power relations in the Israeli popular music system.” Popular Music
17(1): 113-128.
Regev,
Motti
1996 “Musica mizrakhit, Israeli rock and national culture in Israel.”
Popular Music 15(3): 275-284.
Regev,
Motti and Edwin Seroussi
2004 Popular Music and National Culture in Israel. Berkeley:
University of California Press.
Said,
Edward and Daniel Barenboim
2002 Parallels and Paradoxes: Explorations in Music and Society. New
York: Pantheon Books.
Seroussi,
Edwin
2002 “’Mediterraneanism’ in Israeli music: an idea and its permutations.”
Music & Anthropology: Journal of Musical Anthropology of the Mediterranean
7.
Stein,
Rebecca Luna
1998 “National Itineraries, Itinerant Nations: Israeli Tourism and
Palestinian cultural Production.” Social Text 56 16(3): 91-124.
Straw,
Will
2002 “Scenes and Sensibilities”, Public 22-23: 245-257.
Swedenburg,
Ted
2000 “Sa'ida Sultan/Danna International: Transgender Pop and the
Polysemiotics of Sex, Nation, and Ethnicity on the Israeli-Egyptian Border.”
In Mass Mediations: New Approaches to Popular Culture in the Middle East
and Beyond, edited by Walter Armbrust. Berkeley, University of
California Press: 88-119.
Taylor,
Timothy
1997 Global Pop: World Music, World Markets. New York: Routledge.
Warkov,
Esther
1986 “Revitalization of Iraqi-Jewish Instrumental Traditional Music: The
Persistent Centrality of an Outsider Tradition,” Asian Music 17(2):
9-31.
Wong,
Deborah.
2004 Speak It Louder: Asian Americans Making Music. Berkeley:
University of California Press. |