EOL 2:The role of movement in
Russian panpipe playing

Olga Velitchkina

• Introduction
  • Theoretical premises
  • Ethnography of the Russian panpipe tradition
• The instrument
  • Organological description of South Russian panpipe and the structure of panpipe ensembles
  • panpipe playing as described by the performers
• The musical structure of a tune
• Movements of the head
  • The accompanying parts
  • The five-pipe part
  • Timonia as a case study
  • Markov chain model
• Breathing techniques
• Vocal sound production
  • General discussion
  • A continuation of the case study
• Conclusions
• Notes and references